Professional illustration

Volunteering with Illustrators Australia (IA) has been the most amazing experience. There I look after a couple of email addresses, but mostly the memberships.

The most interesting is the many applications from people who would like to be professional members.

I love seeing all the fabulous portfolios, although all I do is pass them onto the assessors without comment and they do the had work of looking at the application.

What I have noticed is the gap between what makes someone who can draw really, really amazing pictures and a professional illustrator.

Illustration is great. I love looking at the beautiful work on Instagram, Twitter, portfolio sites and the applications that come through. But doing great work and creating wonderful pictures does not on it’s own constitute any individual as an employment ready, professional illustrator.

Things that constantly crop up in discourse with illustrators:

  • Understanding CMYK & RGB colour profiles. *eyeroll*

  • Meet deadlines. If asked to get something done by a certain date, get it done by that date, professionals shouldn’t need chasing.

  • Have contact details on your website and social media profiles. How do people get work if commissioners/art directors/publishers/creative directors/agents don’t know how to get in touch? Again, professionals shouldn’t need chasing.

  • Be a registered business, in Australia that means having an ABN. Other countries have other rules. Look it up!

  • Understand your worth and don’t undersell yourself, it damages the whole industry if illustrators undercut each other

  • Be a member of IA! Get involved and meet YOUR people and learn about the industry along the way, it’s also a great way to support other illustrators.
    If you’re not ready for Professional membership, there are other levels (they’re often cheaper) and you have access to a wealth of information to help you and your business thrive.

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And……

  • Don’t be rude or hard to talk to (i.e.: not being a dick)

Cheers,

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Self-publishing

or I've written a picture book and I need some pictures done…

You’ve put in the hard yards in and taken some words, massaged them into place and created a beautiful story. It’s a great thing to do and it’s something you’re very passionate about. You know you need some pictures for the story and so you’ve landed here. That’s great, and I’m looking forward to our adventure together.

Before we start, there are a few things I need you to understand and there is no judgement in this, but from many requests I and many of my illustrator colleagues get it is clear that there is a gap in the information available to writers as to how and what it takes to get a book published.

Let me be very clear, If you are going to submit your book to a publisher, they will want to chose their own illustrator. Employing me to draw anything will be a waste of your money, the drawings will be discarded. Publishers do not want illustrated submissions unless the author is an illustrator, illustrating their own writing.

Publishing houses exist is because it takes a lot of work to get a book published and involves a lot of people. Looking clearly at how the industry works will protect you emotionally and financially. It will help you clarify what you want out of me and what other things are involved in getting your book out into the market place.

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  • Editor: Basically, the project manager, pulling all the parts of the book together. Managing expectations of the author, illustrator and book designer to get the best result

  • Art director: Like and editor, but for pictures

  • Book designer: A specialist graphic designer who lays in the text and places the illustrations getting the item ready for print

  • Author: Writes the words with editing guidance from the editor

  • Illustrator: Draws the pictures under direction from the editor (and/or art director)

  • Marketing: Assess the book for sales potential, deciding on print run and distribution

  • Printer: Prints and binds the book

  • Distribution: Delivers the book to the shops

If you are going to self-publish, you take on all of these functions or you pay someone to do them for you.

Illustrators and anyone you ask to do work on your book will expect to be paid. Your passion project is not their passion project. By all means you can ask for advice, almost everyone is happy to share their knowledge (if they have time) but it is not right to ask them to work for free or at a discount.

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It can cost thousands of dollars to get a book published and the person doing the publishing will bear this cost.

Economies can be made with the scope of the project, but the illustrations alone can cost $5000 to $15000 (maybe even more), depending on the illustrator, the number and complexity of the illustrations and how soon you want them.

I am not trying to step on your dream or be nasty, this is an industry and there are, few (if any) short cuts.

There are successful self-published authors, it is a lot of hard work and an ongoing commitment to your project is needed.

Find a few and talk to them.

Join the ASA and/or SCWBI, these are your network. You will meet lots of people who have lots of information and advice to get you on your way. They are your peeps!

SO, when you’re ready and you’ve learned all you can about publishing and want to go ahead and get a quote for me there is one more step (sorry). Fill in this form and send it through when you request your quote.

It will help you clarify what you’re asking for and it will help me put together an accurate figure for you.

I want us to have a fun and rewarding working relationship, getting the best result and realising your vision. Having a comprehensive understanding of what’s involved and clear communication paths is the foundation of a really positive experience for everyone.

See below for some further information to read and listen to. Good luck and hopefully I haven’t done myself out of too much work.

Cheers,

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Further information…

On publishing…

Sarah McIntyre 'Can you illustrate my book?' Some tips for writers approaching illustrators, 25 April 2016 https://jabberworks.livejournal.com/744387.html

Tania McCartney, The Happy Book Children’s Book Podcast, 2 January 2019
http://taniamccartney.blogspot.com/2019/01/the-happy-book-childrens-book-podcast.html

Australian Society of Authors, Find and answer, Publishing https://www.asauthors.org/findananswer/publishing [5 March 2019]

Australian Publishers Association, Getting Published
https://www.publishers.asn.au/resources/getting-published [5 March 2019]

Join…

Australian Society of Authors (ASA) https://www.asauthors.org
Contract advice, workshops, industry information

Society of Childrens Writers and Book Illustrators (SCWBI) https://www.scbwi.org
Meet your people, network and learn.

Keep and eye out for…

CYA Conference https://www.cyaconference.com

KidLitVic http://www.kidlitvic.com

There's an exhibition on!

It's been a while, but you still love me? right?

I've been working hard over the past eighteen months volunteering for Illustrators Australia (IA). We've been moving the organisation to a new administration software system and planning for the future. It certainly been a challenge and I've learnt so much, met some amazingly smart people and hopefully it will stand IA in good stead for the next decade. Fingers crossed.

Along with all that, IA are putting on an exhibition, SHOUT! opening 6pm this Friday, at Collingwood Gallery, 292 Smith Street, Collingwood and runs for two weeks. I have a piece in this! You can check out the details on the IA website here and if you can't make it but what to see (and possibly buy a piece), there is an online auction! (fancy, I know!)

Opening night: 6pm Friday 13 July 2018 Exhibition runs 13 - 26 July 2018  Collingwood Gallery, 292 Smith Street Collingwood

Opening night: 6pm Friday 13 July 2018
Exhibition runs 13 - 26 July 2018
Collingwood Gallery, 292 Smith Street Collingwood

There is amazing work on display, digitally printed on wood, collaged, drawn, painted, carved - the illustrators have pushed this theme to the max, worth seeing for sure!

Cheers,

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On writers and illustrators

This article by Sarah McIntyre was written in April 2016 but it's great information for both writers and illustrators. It popped up on my twitter feed today.

'Can you illustrate my book?' Some tips for writers approaching illustrators
https://jabberworks.livejournal.com/744387.html [10 February 2016]

As well as being a illustrator, she has a lot of knowledge to share. Check her website out to see her portfolio and her live journal for more of her articles and goings on. Sarah is also active on the usual socials!

Cheers,

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Robot sketches, 2016

Robot sketches, 2016

Icons

I’ve often thought that the images available to me as icons for Instagram, Twitter etc were a bit boring and the same as everyone else! So I finally got around to making my own. 

This is the sort of thing illustrators can do for people, why be the same as everyone else? Have something that is made just for you, reflects your personality and helps you stand out of the crowd! And I've updated my about me page!

Cheers,

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Happy George

Recently I developed and illustrated a new character, for a disability service. Introducing: Happy George

This little guy ties in with some other promotional material and is soon to be launched on their website.

Happy George is a friendly frog who like to say hello to everyone!

Happy George is a friendly frog who like to say hello to everyone!

Happy George is technologically savvy!

Happy George is technologically savvy!

Happy George is being used on colouring in sheets and word searches which I also developed. These will be available for people to download from their website .

It was great to translate the linear to the rendered colour and build up a stock of imagery around it all to describe the world in which George lives.

He will also be in explanatory material on printed documents and certificates.

It was a great project. I had lots of fun testing out techniques I've not used for a while. And it was fantastic to see it so well received by the client. 

Hopefully the participants of the service like him too, because I'd love to do more of this! 

Cheers and chin-chin,

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Vote YES!

It's been amazing over the last couple of years to see the parade of unfairness and unkindness on all sides of politics in Australia. Less stealth like, which has been used in the past and more upfront meanness is really the hallmark of the last, I would say, four parliaments. 

The downright misogyny directed at Julia Gillard. Her parliaments lack of action on same-sex marriage. Kevin Rudd and his off-shore detention hell holes. Tony Abbott dismantling of the carbon tax and eating onions, raw, with the skin on. And then we come to Malcolm Turnbull, beholden to the right wing conservative to keep his bum on the big chair. These are just a few of the craptacular highlights of the last seven years (yes, seven years - four Prime Ministers in seven - count 'em - seven years. You can see my eyes rolling from space.)

Malcolm has bowed to the pressure of his party room and they've dreamed up a non-binding, non-mandatory, non-plebicite postal survey about same sex marriage. Rather than do their jobs. It is going to cost over $120 million dollars. 

As I write this the High Court of Australia are hearing a case against running the postal survey. So it may on may not even happen. But in the event that it does I'm nailing my colours to the mast.

YES : Love is love, let people marry.

So my birds for the weeks leading up to the non-binding, non-mandatory, non-plebicite postal survey (if it even happens) are all showing their support for changing the marriage act to be inclusive of all the people.

...and imagine, what the kindergartens of Australia would do with $120 million dollars instead.

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Sketchbook scrawls

Lately my sketchbook is all about people. Specifically the back of the head. Train travel and cafés provide lots of subjects, but staring at people can be a bit confronting, for both the stare-er and the stare-ee.

I've seen the panicked look on people's faces, the uncomfortable shift in their seat, hunch of the shoulders and the blush as it creeps across their skin when they realise they are being drawn. 

The back of their head, though is way more non-confrontational and it gives me practice at size, shape, form, hair, fabric, bags, phones, ears and sometimes, even hands. Phones often give you cover, people don't notice anything when they're on their phones, so occasionally I get a face. 

These are untouched photos straight from my sketchbook, no fiddling with lighting or brightness etc. I usually post this sort of thing on my @hilary_cresp instagram if you're interested.

Cheers and chin-chin!

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Birdies everywhere!

I've been a bit slack with the blogging, but busy is as busy does and because not everyone has Instagram here's what I've been doing...

As you can see Birdies have exploded from my pencil and have taken a life of their own. Up to all sorts of adventures. Hopefully a wonderful and generous publisher can see the potential and gives me a call. I have so many ideas for what these little darlings can achieve, you just never know what they'll do next!

Cheers and chin-chin!

To market to market…

Last night I went to the Craft Victoria seminar on market readiness, and I learned so much I though my brain was going to burst!

There were two speakers Penny Min Ferguson of MinPin and Leah Jackson of Leah Jackson Ceramics, a well as the person organising the event from Craft Victoria, Kim Goodwin. They all spoke well, clear, concise and open about their experiences and the tips they’ve learned from going to markets and building their businesses. Lots of guidance on having a successful market experiences - even if you don’t make money out of it… 

To be honest, I knew a lot of this stuff - BUT I hadn’t been able to put it together in a coherent package enough for my tiny brain to see how it worked. But this seminar showed me, which was awesome! And they liked my tea towels - they have excellent taste.

I just need to decide what I really want my business to be. But I really need to thank the wonderful Aniquah Stevenson for her advice in doing this seminar, she is awesome and her work is great - check out her new website http://www.aniquahstevenson.com

Time for a tune , Hilary Cresp, 2016

Time for a tune, Hilary Cresp, 2016

In the last couple of weeks I’ve sent off a few illustration agency submissions and to a literacy agency.  But I won’t hear from them anytime soon, they get hundreds of applications and it takes long time to view them, and they only get back to those they want to see more from. So we wait.

AND...mark the weekend of the 11-13 November in your calendars! ArtSpace8, where my studio is, is having and open studios with a group exhibition and market stalls (so I can put what I've learnt into practice), with new work on display and some product for sale. More details to come!

Anyway, I’ve been doing a lot of birdies lately…and one in particular got a bit of a run. I listen to a podcast called Stupidly Big - they do a segment called 'Shiver me Tingies' : what makes you feel good in a happy friendly way like, slipping into clean sheets or hearing the sound of a champagne cork pop. I was part way through making it when, they mentioned on the podcast that someone had already make them something. So I was in two minds as to sending it to them, but in the end I did - they loved it and (with my permission) made it their avatar for Twitter. YAY!

Shiver me tingies , Hilary Cresp, 2016

Shiver me tingies, Hilary Cresp, 2016

Don't forget that you can follow me on Twitter and Instagram using the @_essayer handle or sign up for my mailing list.

Cheers and chin-chin!

Some you win…

Last weekend I had my work Unravelling in the Derinya Art and Craft Exhibition (DACE), and although it didn’t sell I did have lots of positive feedback.

After picking it up I’ve put it on one of the gallery walls attached to the studio space here in Artspace8. It looks great (even if I do say so myself) and I haven’t got tired of it.

Unravelling  (1,2&3), pencil on paper, Hilary Cresp, 2016

Unravelling (1,2&3), pencil on paper, Hilary Cresp, 2016

The intricacies of doing a piece quite this large is a challenge but one I’m willing to take up and I have a lot of this on my mind so I think it will form the backbone of a new exhibition. 

At DACE we did make a purchase… Eddie Zammitt and Travis Price collaborated on a limited edition print, which ticked our fancy. It’s a beautiful image well executed by a master of the genre. I love it.

I also took down the exhibition Endless, at Frankston Art Centre (FAC). It had been up there for a while and made a few sales, which was great. The curator there was really supportive as well as being pragmatic, which is of great benefit as I am not alone in being somewhat unsure of myself, so a guiding hand is wonderful. She gave me a couple of leads which I will follow up in the coming days.

Currently, I am working on a groovy little picture book. Hopefully the magic publishing fairy sees it and loves it as much as I do… and publishes it. I haven’t got a title yet but it will be finalised in the coming weeks.

Birdie,  Ink, Hilary Cresp, 2016

Birdie, Ink, Hilary Cresp, 2016

I used the little darling in a screen printing workshop with Tim Growcott, a fabulous textile artist. Held at Oak Hill Gallery, Tim showed us how to make a screen using photographic emulsion and print on a carousel. The following week he showed how to strip a screen and placement printing - but I missed that day… :(

Cheers,