Pandemic wanderings

Like almost everybody I stayed at home from 23rd March at home until after the Easter break. I’d brought some supplies back home with the view to improving some skills, getting back to basics and exploring some mediums I hadn’t had a chance to get into in a meaningful way for a very long time.

Needless to say, it didn’t quite work out that way.

Not only was I at home, so was everyone else. Where we live is quite a spacious apartment, in theory. Four adults certainly make it feel a bit constrained and I’ve always found it hard to do much with an audience. The thing I’ve learnt about myself is that I’m a loner. Consequently not much experimenting and learning went on.

So instead I took the opportunity to explore the parks nearby. On my own or with a companion from our house I wandered around The Alexandra & The Queen Victoria Gardens and The Kings Domain.

There are sculptures, fountains, a fernery and The Pioneer Women‘s Garden, ducks and bush turkeys. And some the best landscaped public toilets.

Taking my time to see the same gardens repeatedly gave me the opportunity to see things I’d missed, to be amazed and fascinated by the way things grew together and apart, to see the repetition of the planting, how it all coalesced into such a glorious and enjoyable space.

The lush leafy foliage, got ticking over in my brain and so I sat and doodled in a sketchbook with no expectations or rules. It was lovely to play with perspective, interpret what I’d seen, stylise the lush leafiness and image landscapes.

The results were a fantasy, but drew on the experience of the walks and waterfalls seen and explored.

These simple doodled sketchbook drawings have given life to a new project. Now back in the studio I’m creating something new, from something I created from walks I did, enjoying the creativity of the gardeners.

Keep safe and cheers to you all,

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Back and cleaning up the bird poop!

Having been out of the studio of the last little while – nearly a month! I came in to find my little studio buddy has left their calling card on my desk. The cheeky culprit was getting brave with no-one about, but is elusive now I’m back.

little studio buddy

little studio buddy

Overused phrase I’m sure, but it is interesting times. How we go back to what we did and how we did it will be as fascinating as living through how it all turned upside down.

An opportunity to do things better but I fear is that the loudest and greediest will have their way and the rest will be cleaning up after them. Again.

What is interesting is the most effective way of protecting the community from the infection is caring work. Providing space for people, cooking, cleaning, teaching, reassuring, nursing. Caring. Caring about each other.

A vaccine is really the only way this will enable anything like how we used to travel, live, share. We will just have to keep caring.

But since it’s Mother’s Day in Australia in a few weeks (10th May). I’ve put some new cards up (see below) which are suitable for just this occasion, along with the tea towels and prints that may bring a smile.

So pop by the shop and see what’s available and to help you out I’ve set up a code for free shipping anywhere in Australia. Put in WINNING2020 at the checkout until 6th May.

The postal service is a bit slammed at the moment but with all that’s going on sending things by post is a fab way to connect with people you can’t see in person (who doesn’t like a surprise in the mail that’s not a bill?!?) so order early, order often!

Cheers,

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Well...

Well, that all escalated quickly… as a result of the virus I’ve decided to cancel my exhibition, planned for June.

The exhibitions scheduled before me had been postponed and, as the uncertainty of me being able to complete the work as I had intended grows, I’ve decided to pull it all.

The gallery, Alternating Current Art Space, has been more than understanding and are keeping the lines open incase we can call this a postponement as well, but we will wait and see. Who know when this will end?

Anyway, love you all, wash your hands, keep yourselves and loved ones safe, I’ll shout you all a drink when it’s over ;)

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Perspective

In trying to improve and get better at all aspects of drawing I’ve been looking at creating whole story like images that push perspective.

The first was Rocket Kid. This was fun and came together relatively quickly and wouldn’t have been was it is without the help of my studio buddy, Rebecca Stewart - check out her amazing portfolio. Her experience in animation and life drawing really pushed me to put together a great dynamic composition.

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The second was under the sea. This started out as fun colour but it was confused and lacked clarity so paring it back, pushing the perspective and using light to it’s fullest extent made it work. The text is there for balance as it was envisaged as part of a middle grade fiction book.

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The third was a garden scene, and this was so very difficult. From doing this one, there are no shortcuts, if it’s not right, it’s not right so make it right, trying to find work arounds will take longer than doing it correctly in the first place.

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There will be more to come, I have a lot to learn about colour, perspective, bodies and how they move and above all else telling stories with pictures.

Cheers!

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Doodley doodles

It’s been so very hot and as the studio is not air conditioned and the house is - that’s where I ended up. So as the temperature is hitting  40°C I’m working on my kitchen table, trying to figure out animals.

Never having had pets, I understand why you’d want one, the actuality of having to care for one is an overwhelming thought for me. So how to draw them and their features is a challenge. It is quite a gap in my knowledge about the world.

I made a list of the animals I’d like to learn about and so I’ve begun. I’m posting these on Instagram as well.

Having begun with some of the most obvious Australian animals, I’ll be mixing it up over time and hopefully getting better and then better able to incorporate versions into illustrations when needed.

Toodle-pip!

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Fires

Over new year we went to Eden, YAY!

But there were fires, BOO!

Anyway, we cut it short and although the road (Princes Highway) south was closed the road to Canberra opened on New Years Day. Since we’d packed the day before we were ready to go and headed out home, the long way round.

Stopping briefly in Canberra for a cuppa and cake provided by one of my sisters (and petrol stops) we were home in bed by midnight that night. All smokey and exhausted. But home together safe and sound.

The reality of the disaster is still not truly evident. It’s off the front pages now and everybody has donated what they can. But it’s far, very far, from over. The Alpine region is still burning. Mallacoota has only just reopened as has the Princes Highway, holiday villages which survive on the summer season are in terrible trouble.

The economics of this catastrophe is of a scale I don’t think is going to truly be appreciated for months.

I’m a single voice, a mother, artist, possibly not worth listening to by those in charge of this country but I’m one of thousands, just like me who want this beautiful country to make peace with itself and be better.

Conservative or progressive, rich or poor, we have everything to gain by working together, and I mean ALL of us, not just this group or that group. Lying, obfuscation, bending the truth and facts have no place in this. We have to face up to our past, listen, find solutions, we may even find trust and forgiveness.

It will cost us all something, but if we don’t it will cost us all everything.

I’ve sniped from the sidelines for a while now, but not any longer. I’m going to make my voice heard. What are they going to do to me? someone just like their mother, sister or aunt? Nothing. They will “other” and marginalise almost every sector of our population; but I am them, middle-aged, middle-class, white & educated, holding a mirror up to their hypocrisy.

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PS: Don’t vote for self-interested climate denying fuckheads, whatever their political party may be.

Exhibitioning

As mentioned in my latest email, I’ve been accepted to exhibit in Alternative Current Art Space in 2020. Scheduled for June, it will be a show of my large format pencil drawings, and preparations are underway! VERY EXCITED!

I've been doing some studies for a very long drawing, just to get my hand in and get all the creative neurons firing in all the right places.

Study 3, pencil on paper 2019

Study 3, pencil on paper 2019

Above is one of the recent drawings, small at only 57cm wide and 19cm tall, done so they remind my muscles that this is the way that we get it done.

It is amazing though, every time I look at a finished piece I get a little thrill of ‘I did that’. I’m looking forward to having some significant work on the wall in June. I hope you can be there, more details to follow!

Cheers,

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Shop ’til ya drop!

FINALLY! you all thought I’d never get there… I just took my sweet time about it.

You’ll notice from my home page that there is a new link in the menu: Shop. This is a foray into the unknown so you’ll have to be patient with me. I’ve tested it as much as I can - now it’s up and running so get buying - handy for the end of the year gift giving festival!

The beginning goods are posters, tea towels, t-shirts & some christmassy cards. I’m sure there’s something there to suit your every whim and more will be added as they are developed. To keep in the loop, join my mailing list and when the shop is updated you’ll be one of the first to hear about it.

If you’re interested in wholesale orders or if would like something custom or exclusive for your shop, drop me a line shop(AT)essayer.com.au or through my about page and we can work it out together!

I’m still taking commissions so if you’ve an idea and want a price lemme know!

Cheers,

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me me me me me

I’ve been working hard getting portfolios ready for various submissions. Some to do with illustration and others for art, along with the normal day-to-day etc. It’s been both and interesting and worthwhile process, distilling what I want to do as opposed what I can do and allowed me the time to really find my strengths and hopefully the work I get from this will better reflect this.

About me hand draw, digitally finished, 2019

About me
hand draw, digitally finished, 2019

In not only showing how I draw and what I want to draw I’ve also managed to distill my own self into a kind of self portrait. The cardigans, are very important. As is the coffee.

Cheers!

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PS: If you’d like an infographic portrait of yourself or maybe as a gift for a friend, let me know!

Don’t go breaking my heart

People regularly ask for me to work for the pleasure of working them, which in itself is lovely. They like my work and want the work I do for their project, but I really have to draw (literally) the line somewhere and paying the rent is important.

This seems to be a universal problem for illustrators and I’ve noticed this happens for all people with any skill that any other individual lacks. We all want our friend who’s studied law to look over a contract, our mate whose a plumber to fix the hot water service and the kid who’s really good at the computer to show us how make a website.

It’s different though for a friend, it’s different for a project that everyone is into on an equal footing. Being asked work for nothing while other parties make profit or at least their costs back, is a bit of a smack in the face.

Anyway, IA have got on board The AOI’s #notahobby campaign, because we all need to make a living from the skills we have worked hard to learn and get good at. Doesn’t mean I wouldn’t help out a charity and it doesn’t mean I wouldn’t help out a friend, but put as succinctly as I can…

Your passion project, digital image with hand drawn elements, 2019

Your passion project, digital image with hand drawn elements, 2019

You read a bit more about this on a previous post about self-publishing.

Kisses,

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Mad as...

A friend finagled tickets for us to a taping of last weeks Mad as Hell. It was a long session of four hours and funny all the way through.

One of the skits was when a Labor supporter (played by Emily Taheny) was asked a question replied “Albosolutley”. Then this popped into my noggin. Apologies to all the creative people on the show.

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Ahhh, families...

This bit of wisdom comes from my in-laws and it always struck my heart.

Now I live quite near this bridge (life goals). In fact I cross it everyday and as I walk I recite this little poem and it continues to make me smile.

Love yuz,

Professional illustration

Volunteering with Illustrators Australia (IA) has been the most amazing experience. There I look after a couple of email addresses, but mostly the memberships.

The most interesting is the many applications from people who would like to be professional members.

I love seeing all the fabulous portfolios, although all I do is pass them onto the assessors without comment and they do the had work of looking at the application.

What I have noticed is the gap between what makes someone who can draw really, really amazing pictures and a professional illustrator.

Illustration is great. I love looking at the beautiful work on Instagram, Twitter, portfolio sites and the applications that come through. But doing great work and creating wonderful pictures does not on it’s own constitute any individual as an employment ready, professional illustrator.

Things that constantly crop up in discourse with illustrators:

  • Understanding CMYK & RGB colour profiles. *eyeroll*

  • Meet deadlines. If asked to get something done by a certain date, get it done by that date, professionals shouldn’t need chasing.

  • Have contact details on your website and social media profiles. How do people get work if commissioners/art directors/publishers/creative directors/agents don’t know how to get in touch? Again, professionals shouldn’t need chasing.

  • Be a registered business, in Australia that means having an ABN. Other countries have other rules. Look it up!

  • Understand your worth and don’t undersell yourself, it damages the whole industry if illustrators undercut each other

  • Be a member of IA! Get involved and meet YOUR people and learn about the industry along the way, it’s also a great way to support other illustrators.
    If you’re not ready for Professional membership, there are other levels (they’re often cheaper) and you have access to a wealth of information to help you and your business thrive.

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And……

  • Don’t be rude or hard to talk to (i.e.: not being a dick)

Cheers,

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Self-publishing

or I've written a picture book and I need some pictures done…

You’ve put in the hard yards in and taken some words, massaged them into place and created a beautiful story. It’s a great thing to do and it’s something you’re very passionate about. You know you need some pictures for the story and so you’ve landed here. That’s great, and I’m looking forward to our adventure together.

Before we start, there are a few things I need you to understand and there is no judgement in this, but from many requests I and many of my illustrator colleagues get it is clear that there is a gap in the information available to writers as to how and what it takes to get a book published.

Let me be very clear, If you are going to submit your book to a publisher, they will want to chose their own illustrator. Employing me to draw anything will be a waste of your money, the drawings will be discarded. Publishers do not want illustrated submissions unless the author is an illustrator, illustrating their own writing.

Publishing houses exist is because it takes a lot of work to get a book published and involves a lot of people. Looking clearly at how the industry works will protect you emotionally and financially. It will help you clarify what you want out of me and what other things are involved in getting your book out into the market place.

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  • Editor: Basically, the project manager, pulling all the parts of the book together. Managing expectations of the author, illustrator and book designer to get the best result

  • Art director: Like and editor, but for pictures

  • Book designer: A specialist graphic designer who lays in the text and places the illustrations getting the item ready for print

  • Author: Writes the words with editing guidance from the editor

  • Illustrator: Draws the pictures under direction from the editor (and/or art director)

  • Marketing: Assess the book for sales potential, deciding on print run and distribution

  • Printer: Prints and binds the book

  • Distribution: Delivers the book to the shops

If you are going to self-publish, you take on all of these functions or you pay someone to do them for you.

Illustrators and anyone you ask to do work on your book will expect to be paid. Your passion project is not their passion project. By all means you can ask for advice, almost everyone is happy to share their knowledge (if they have time) but it is not right to ask them to work for free or at a discount.

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It can cost thousands of dollars to get a book published and the person doing the publishing will bear this cost.

Economies can be made with the scope of the project, but the illustrations alone can cost $5000 to $15000 (maybe even more), depending on the illustrator, the number and complexity of the illustrations and how soon you want them.

I am not trying to step on your dream or be nasty, this is an industry and there are, few (if any) short cuts.

There are successful self-published authors, it is a lot of hard work and an ongoing commitment to your project is needed.

Find a few and talk to them.

Join the ASA and/or SCWBI, these are your network. You will meet lots of people who have lots of information and advice to get you on your way. They are your peeps!

SO, when you’re ready and you’ve learned all you can about publishing and want to go ahead and get a quote for me there is one more step (sorry). Fill in this form and send it through when you request your quote.

It will help you clarify what you’re asking for and it will help me put together an accurate figure for you.

I want us to have a fun and rewarding working relationship, getting the best result and realising your vision. Having a comprehensive understanding of what’s involved and clear communication paths is the foundation of a really positive experience for everyone.

See below for some further information to read and listen to. Good luck and hopefully I haven’t done myself out of too much work.

Cheers,

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Further information…

On publishing…

Sarah McIntyre 'Can you illustrate my book?' Some tips for writers approaching illustrators, 25 April 2016 https://jabberworks.livejournal.com/744387.html

Tania McCartney, The Happy Book Children’s Book Podcast, 2 January 2019
http://taniamccartney.blogspot.com/2019/01/the-happy-book-childrens-book-podcast.html

Australian Society of Authors, Find and answer, Publishing https://www.asauthors.org/findananswer/publishing [5 March 2019]

Australian Publishers Association, Getting Published
https://www.publishers.asn.au/resources/getting-published [5 March 2019]

Join…

Australian Society of Authors (ASA) https://www.asauthors.org
Contract advice, workshops, industry information

Society of Childrens Writers and Book Illustrators (SCWBI) https://www.scbwi.org
Meet your people, network and learn.

Keep and eye out for…

CYA Conference https://www.cyaconference.com

KidLitVic http://www.kidlitvic.com

There's an exhibition on!

It's been a while, but you still love me? right?

I've been working hard over the past eighteen months volunteering for Illustrators Australia (IA). We've been moving the organisation to a new administration software system and planning for the future. It certainly been a challenge and I've learnt so much, met some amazingly smart people and hopefully it will stand IA in good stead for the next decade. Fingers crossed.

Along with all that, IA are putting on an exhibition, SHOUT! opening 6pm this Friday, at Collingwood Gallery, 292 Smith Street, Collingwood and runs for two weeks. I have a piece in this! You can check out the details on the IA website here and if you can't make it but what to see (and possibly buy a piece), there is an online auction! (fancy, I know!)

Opening night: 6pm Friday 13 July 2018Exhibition runs 13 - 26 July 2018 Collingwood Gallery, 292 Smith Street Collingwood

Opening night: 6pm Friday 13 July 2018
Exhibition runs 13 - 26 July 2018
Collingwood Gallery, 292 Smith Street Collingwood

There is amazing work on display, digitally printed on wood, collaged, drawn, painted, carved - the illustrators have pushed this theme to the max, worth seeing for sure!

Cheers,

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On writers and illustrators

This article by Sarah McIntyre was written in April 2016 but it's great information for both writers and illustrators. It popped up on my twitter feed today.

'Can you illustrate my book?' Some tips for writers approaching illustrators
https://jabberworks.livejournal.com/744387.html [10 February 2016]

As well as being a illustrator, she has a lot of knowledge to share. Check her website out to see her portfolio and her live journal for more of her articles and goings on. Sarah is also active on the usual socials!

Cheers,

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Robot sketches, 2016

Robot sketches, 2016